Speaker 1 (00:01):
Salman Rushdie has been a marked man for nearly half his life. In 1989, Iran's leader, Ayatollah Khomeini declared his novel, The Satanic Verses, Blasphemous, an insult to Islam, and called for the Indian-born writer's assassination. Rushdie went into hiding with around-the-clock police protection for 10 years. He eventually moved to the U.S and thought he was safe. But in August 2022, as he was about to speak at a literary festival in Chautauqua, New York, Salman Rushdie was attacked by a Muslim man with a knife. Rushdie, who's now 76, lost his right eye and came close to dying. He's come to terms with the attempt on his life by writing a book about it called, Simply Knife, which comes out Tuesday. This is his first television interview since the attack.
Speaker 2 (00:52): The story will continue in a moment.
Speaker 1 (00:58): You had, had a dream two days, I think it was, before the attack. What was the dream?
Speaker 3 (01:04): I had a premonition. I had a dream of being attacked in an amphitheater, but it was a Roman Empire dream, as if I was in the Coliseum. And it was just somebody with a spear stabbing downwards, and I was rolling around on the floor trying to get away from him. And I woke up and was quite shaken by it, and I had to go to Chautauqua. And I said to my wife, Eliza, I said, "I don't want to go."
Speaker 1 (01:31): Because of the dream?
Speaker 3 (01:32): Because of the dream. And then I thought, don't be silly. It's a dream.
Speaker 1 (01:36): Salman Rushdie, one of his generation's most acclaimed writers had been invited to the town of Chautauqua, close to Lake Erie, to speak about a subject he knows all too well, the importance of protecting writers whose lives are under threat. (01:51) Did you have any anxiety, being in such a public space?
Speaker 3 (01:55): Not really, because in the more than 20 years that I've been living in America, I've done a lot of these things.
Speaker 1 (02:03): You haven't had security around you, a close protection detail for a long time?
Speaker 3 (02:06): Long time. But what happens in many places that you go and lecture is that they're used to having a certain degree of security, venue security. In this case, there wasn't any.
Speaker 1 (02:17): The irony, of course, is you were there to talk about writers in danger.
Speaker 3 (02:21): Yeah, exactly. And the need for writers from other countries to have safe spaces in America amongst other places. And then, yeah, it just turned out not to be a safe space for me.
Speaker 1 (02:32): For years, no place was safe for Salman Rushdie, whose sprawling 600-page novel, the Satanic Verses, offended some Muslims for its depiction of the Prophet Muhammad. Iran's Ayatollah Khomeini issued a fatwa, a religious decree calling for Rushdie's death in 1989. There were worldwide protests from London to Lahore. The Satanic Verses was burned, and 12 people died in clashes with police. The book's Japanese translator was murdered, and others associated with it were attacked. (03:07) Did you have any idea that it would cause violence?
Speaker 3 (03:11): No, I had no idea. I thought probably some conservative religious people wouldn't like it, but they didn't like anything I wrote anyway. So I thought, well, they don't have to read it.
Speaker 1 (03:20): Were you naive?
Speaker 3 (03:22): Probably. It's easy looking back to think, nothing like this had ever happened to anybody. And of course, almost all the people who attacked the book, did so without reading it. I was often told that I had intended to insult, offend people. My view is if I need to insult you, I can do it really quickly. I don't need to spend five years of my life trying to write a 600-page book, to insult you.
Speaker 1 (03:47): Rushdie was living in London when he went into hiding, and for the next 10 years, the British government provided him with 24-hour police protection. (03:55) Did people try to kill you?
Speaker 3 (03:56): Yes. There were maybe as many as half a dozen serious assassination attempts, which were not random people. They were state-sponsored terrorism professionals.
Speaker 1 (04:06): After diplomatic negotiations, the Iranian State called off its assassins in 1998. Rushdie finally came out of the shadows. He moved to New York and for the next two decades lived openly. He was a man about town. He continued writing and became a celebrated advocate for freedom of expression. So when he received the invitation to speak in Chautauqua in August 2022, he gladly accepted.
Speaker 3 (04:32): I was seated at stage right-
Speaker 1 (04:34): In his new book, Knife, he describes what happened next.
Speaker 3 (04:38): "Then in the corner of my right eye, the last thing my right eye would ever see, I saw the man in black running towards me, down the right-hand side of the seating area, black clothes, black face mask. He was coming in hard and low, a squat missile. I confess, I had sometimes imagined my assassin rising up in some public forum or other, and coming for me in just this way. So my first thought when I saw this murderous shape rushing towards me was, so it's you. Here you are."
Speaker 1 (05:13): So it's you, here you are?
Speaker 3 (05:15): Yeah.
Speaker 1 (05:15): It's like you've been waiting for it.
Speaker 3 (05:17): Yeah. That's what it felt like. It felt like something coming out of the distant past and trying to drag me back in time, if you like, back into that distant past in order to kill me. And when he got to me, he basically hit me very hard, here. And initially, I thought I'd been punched.
Speaker 1 (05:36): You didn't actually see a knife.
Speaker 3 (05:37): I didn't see the knife, and I didn't realize until I saw blood coming out that there had been a knife in his fist.
Speaker 1 (05:44): So where was that stab?
Speaker 3 (05:45): Here.
Speaker 1 (05:46): In your neck?
Speaker 3 (05:47): In my neck, yeah. Then there were a lot more. The worst wounds was there was a big slash wound like this across my neck, and there was a puncture, a stab wound here, and then of course, there was the attack on my eye.
Speaker 1 (06:01): Do you remember being stabbed in the eye?
Speaker 3 (06:04): No. I remember falling, then I remember not knowing what had happened to my eye.
Speaker 1 (06:10): He was also stabbed in his hand, chest, abdomen, and thigh. 15 wounds in all. (06:17) He was both stabbing and also slashing?
Speaker 3 (06:19): Stabbing, slashing. I think he was just wildly-
Speaker 1 (06:21): The attack lasted 27 seconds. To feel just how long that is. (06:27) This is what 27 seconds is. That's it.
Speaker 3 (06:57): That's quite a long time. That's the extraordinary half minute of intimacy in which life meets death.
Speaker 1 (07:08): What stopped it from being longer?
Speaker 3 (07:10): The audience pulling him off me.
Speaker 1 (07:12): Strangers to you?
Speaker 3 (07:13): Total... To this day, I don't know their names.
Speaker 1 (07:15): Some of those strangers restrained the attacker, while others desperately try to stem the flow of Rushdie's blood.
Speaker 3 (07:22): There was really a lot of blood.
Speaker 1 (07:24): You were actually watching your blood.
Speaker 3 (07:25): I was actually watching it spread. And then I remember thinking that I was probably dying. And it was interesting because it was quite matter of fact. It wasn't like I was terrified of it or whatever. And yeah, there was nothing, no heavenly choirs, no pearly gates. I'm not a supernatural person. I believe that death comes as the end. There was nothing that happened that made me change my mind about that.
Speaker 1 (07:50): You have not had a revelation?
Speaker 3 (07:51): I have not had any revelation, except that there's no revelation to be had.
Speaker 1 (07:56): His attacker, the man in black, was hustled off the stage. (08:01) In the book, you do not use the attacker's name.
Speaker 3 (08:04): Yeah. I thought, I don't want his name in my book and I don't use it in conversation either.
Speaker 1 (08:09): But that is important to you, not to give him space in your brain.
Speaker 3 (08:12): Yeah. He and I had 27 seconds together. That's it. I don't need to give him any more of my time.
Speaker 1 (08:21): Paramedics flew Rushdie to a hospital in Erie, Pennsylvania, 40 miles away, where a team of doctors battled for eight hours to save his life. When he finally came out of surgery, his wife, Eliza, a poet and novelist was waiting.
Speaker 4 (08:35): And he wasn't moving and he was just laid out.
Speaker 1 (08:38): He looked half dead to you?
Speaker 4 (08:40): Yes, he did. He was a different color. He was cold. His face was stapled, just staples holding his face together.
Speaker 1 (08:51): Rushdie was on a ventilator, unable to speak. Eliza and the doctors had no idea whether the knife that had penetrated his eye had damaged his brain.
Speaker 4 (09:01): Someone from the staff said that we would use this system of wiggling the toes
Speaker 1 (09:09): To communicate?
Speaker 4 (09:11): To communicate.
Speaker 1 (09:11): Do you remember the first question you asked to get a wiggle?
Speaker 4 (09:12): I think I said, "Salman, it's Eliza. Can you hear me?" And there was a wiggle. And asked him, I think, "Do you know where you are?" And wiggled, and it was a very basic simple questions.
Speaker 3 (09:29): You can't express yourself with any subtlety with your toes.
Speaker 4 (09:33): Which is your favorite thing.
Speaker 1 (09:37): After 18 days in the hospital and three weeks in rehab, Rushdie was discharged.
Speaker 3 (09:43): One of the surgeons who had saved my life said to me, "First you were really unlucky, and then you were really lucky." I said, "What's the lucky part?" And he said, "Well, the lucky part is that the man who attacked you had no idea how to kill a man with a knife."
Speaker 1 (09:58): You're not a believer in miracles, but the fact that you survived, you write in the book is a miracle.
Speaker 3 (10:04): This is a contradiction. How does somebody who doesn't believe in the supernatural account for the fact that something has happened, which feels like a miracle? I certainly don't feel that some hand reached down from the skies and guarded me, but I do think something happened, which wasn't supposed to happen and I have no explanation for it.
Speaker 1 (10:23): His attacker was a 24-year-old from New Jersey who lived in his mother's basement. He's believed to be a lone wolf. He's pleaded not guilty to attempted murder and is awaiting trial. In an interview, he told the New York Post, he'd only read a couple pages of the Satanic Verses and seen some clips of Rushdie on YouTube. He said he didn't like him very much, because Rushdie had attacked Islam. (10:48) Does it matter to you what his motive was?
Speaker 3 (10:51): It's interesting to me, because it's a mystery. If I had written a character who knew so little about his proposed victim, and yet was willing to commit the crime of murder, my publishers might well say to me that that's under motivated.
Speaker 1 (11:06): You need to develop that character.
Speaker 3 (11:08): Yeah. Not enough of a reason, not convincing, but yet that's what he did.
Speaker 1 (11:14): Rushdie's Knife, his 22nd book, is one he initially did not want to write.
Speaker 3 (11:20): That was the last thing I wanted to do.
Speaker 1 (11:21): Because you didn't want this to yet again define you.
Speaker 3 (11:24): Yeah. It was very difficult for me after the Satanic Verses was published, that the only thing anybody knew about me was this death threat. But it became clear to me that I couldn't write anything else.
Speaker 1 (11:35): You had to write this first report.
Speaker 3 (11:36): I had to write this first. I just thought I need to focus on, to use the cliche, the elephant in the room. And the moment I thought that, something changed in my head and it then became a book I really very much wanted to write.
Speaker 1 (11:49): You say, "The language was my knife. If I had unexpectedly been caught in an unwanted knife fight, maybe this was the knife I could use to fight back, to take charge of what had happened to me, to own it, make it mine."
Speaker 3 (12:00): Yeah. Language is a way of breaking open the world. I don't have any other weapons, but I've been using this particular tool for quite a long time, so I thought this was my way of dealing with it.
Speaker 1 (12:16): It's been almost two years since the attack and Rushdie is back home now in New York, slowly getting used to navigating the world with one eye. (12:25) How much time did it take to readjust?
Speaker 3 (12:27): I'm still doing it.
Speaker 1 (12:28): You still are?
Speaker 3 (12:29): Yeah.
Speaker 1 (12:30): Do you feel like you are a different person after the attack?
Speaker 3 (12:33): I don't feel I'm very different, but I do feel that it has left a shadow. And I think that shadow is just there, and some days it's dark and some days it's not.
Speaker 1 (12:42): Do you feel less than you were before?
Speaker 3 (12:44): No. I just feel more the presence of death.
Speaker 1 (12:48): In an interview almost 25 years ago, you said of the fatwa, "I want to find an end to this story. It is the one story I must find an end to." Have you found that ending, and an ending to this story as well?
Speaker 3 (12:58): Well, I thought I had, and then it turned out I hadn't. I'm hoping this is just a last twitch of that story. I don't know. I'll let you know.
Speaker 2 (13:16): Salman Rushdie on censorship in America today.
Speaker 3 (13:20): There's a movement from the left and movement from the right.
Speaker 2 (13:22): At sixtyminutesovertime.com, sponsored by Nurtec ODT.